Madhuri Upadhya describes the journey to choreographing her new work “Trishanku”. They say you have to choreograph something close to life more importantly close to your own life!!!! As choreographers we can weave fantasy around the story, romanticize, be brutally literal, abstract or whimsical. I chose to look at characters from our mythology to tell…
Continue reading...Here is all you needed to know about the Hip Joint. The hip joint is one of the most important joints in the human body. It allows us to walk, run, and jump. It bears our body’s weight and the force of the strong muscles of the hip and leg. Yet the hip joint is…
Continue reading...Santosh Nair, Artistic Director of Delhi based Sadhya shares words of wisdom on the art of Choreography. • Choreography is similar to painting-the floor is your canvas & your dance vocabulary the brush with which you create. • When I create a piece, I explore all possibilities of body being used as a language to…
Continue reading...Braving a post injury phase, Pia reminisces working on Mayuri Upadhya’s solo choreography. I performed a solo piece as part of NRITARUTYA, choreographed by Mayuri at the Taj Mahal Palace and Tower, Mumbai on the 16th of September for an intimate audience. The dance was based on the theme of the ingredients that go into…
Continue reading...When we performed for the 15th anniversary celebrations of the Indian Habitat Center at Delhi, the evening turned magical. A few clicks by Avinash Pascricha and Shobha Deepak Singh. Cos SHE is a goddess Cos power intoxicates Laskhmi – The Goddess of Wealth, Consort of Vishnu The movements swirl in light Time, Space and Energy…
Continue reading...Latha Srinivasan speaks of her experience working on Sathya BG’s choreography “Chakra” for our upcoming production “Prayog”. Read on… Sathya is a choreographer who likes to keep it dynamic always. His choreography is a beautiful amalgamation of movements created by him and the dancers. He starts off the process of creating a pattern which looks…
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