Choreography process

By Vishwa Kiran Wild flower is based on the concept of “Lookism”. Lookism is actually a term used to describe the phenomenon of how, societally, physically attractive people meet with positive reinforcements. For me, this translates into how eventually physical appearance becomes so vital that it negates everything else, this obsession is one of the…

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Beginning of the End

by Mayuri Upadhya Choreographers are people of such imagination and vision. Each creator’s drive, concerns vary from each other & from time to time. Inspired by personal, creative, intuitive, technical input each composition takes shape. I for one aspire to reach a realm where I can create and watch my own ‘unforgettable extraordinary theatrical experience’….

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Dance Speak

Pia Bunglowala speaks of her experience performing Madhuri Upadhya’s choreography “Matsyaangnaa” for our upcoming production “Prayog”. Madhuri is a painter with the giant brush in her hand and with every stroke; she creates a movement world that is like a painting. In her piece, every moment feels like a still, a painting with each frame…

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Dance talk

One of the youngest dancers of the company, Niranjan speaks about his experience performing for two different choreographies, viz. Manmatha and Wildflower by Madhuri Upadhya and Vishwakiran Nambi respectively: Photo credit: Ravi Shankar Anything close to your heart will necessarily go beyond your control. Artistic production and visionary experience relates more to life unlike other…

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F Lounge showcase

Our recent dance event at the F Lounge, through the lens of photographer Rajiv.S. photo courtesy: Rajiv.S                    

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Nritarutya performs at Sangam Festival 2010

Nritarutya is honoured to be invited to present its work at the prestigious “Sangam” Festival by Art Vision founded by Dr.Ileana Citaristi. SANGAM, A CONFLUENCE OF DANCE has been an annual dance festival of Art Vision since 2005. The festival is conceived as an offering of new and exclusive choreographic compositions in two different dance…

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HIP HAAP- By Vishwa Kiran

Read this hilarious and witty blog on observations that travel beyond Dance and its emerging styles.

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Show management-by Geetha Ballal

The music CD has just slipped and is repeating a track on its own or just goes ‘kapoot’… ‘1 – 2 -3 -THUD- the side wing has just fallen on the very spot you were just 2 seconds ago.. Ouch!! A nail has just pierced even through the seasoned skin of the feet… How am…

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Dance Kathe-by Hemant Kumar

I have been dancing since I was 12 yrs old. Lucky enough for me I have always danced for an audience, at small gatherings and family get together’. My siblings, friends, cousins, would put music on and ask me to dance. It was on one of the most popular songs of the movie, Kadalam, ‘Urvashi…

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Student’s Speak

Sunil Warrier, our student at the Whitefield center, talks about his experience learning and dancing with us. Excerpts… “Nritarutya follows the traditional way of teaching. The initial training focuses on building up the body to dance which includes stamina building, developing control, balancing, body conditioning, flexibility, alignment aspects. The training period depends from person to…

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