By Geetha Ballal My previous blog on management covered the primary aspects of a show and.. what I am about to write now is a lot more elaborate and absolute necessary things to do. I am sure if you have made a check list as mentioned in my previous blog and put it to…
Continue reading...Tips from Guru Smt. Sandhya Kiran This is particularly for classical dancers- Don’t go overboard on your costumes. Less is more – always. Mix and match colours and designs those are not too jarring to the eye. Use a combination of larger and smaller pieces of jewellery to create a complete picture. When you find…
Continue reading...Madhuri Updahya on her choreographic piece “Manmatha” As a choreographer my thoughts have always leaned towards combining aesthetics of painting and dance almost like giving picture frames animation. My line of research has always been on 2 dimensionality exploring thematic possibilities linearly and also in lines placed at a choreographic space. Personal stories of dancers…
Continue reading...Water by Vishwa Kiran Water is the most important nutrient required by our body. Needless to say, it performs innumerable functions and also assists in many critical processes in our body. Water is a major component of every body cell, tissue and organ. It is vital that we maintain the right balance of water…
Continue reading...by Preethi Bharadwaj Jaipur – The Pink City, a city which caught our senses for the unthinkable amount of shopping we could do!! It all started with short, strenuous and instilling practice sessions to learn Mayuri’s Choreography “Kaali”. On night of May 8, at 23:00 we get a text message from Geetha asking us to report…
Continue reading...KNOW YOUR KNEE by Masoom The knee is the largest synovial joint of the body. It is also one of the most complexes. The knee is composed of three bones (femur, tibia, and patella) and two articulations (tibiofemoral and patellofemoral). The tibiofemoral joint is formed by two large, bulbous femoral condyles resting on a relatively…
Continue reading...A techie, self confessed art lover and one of our students Narita describes her experience at our dance class. Read on – “Nritarutya follows the traditional way of teaching. The initial training focuses on building up the body to dance which includes stamina building, developing control, balancing, body conditioning, flexibility, alignment aspects. The training period…
Continue reading...Berlin based Annekaterin Trautmann conducted a workshop for Nritarutya’s core dance team. The work shop aimed at bringing holistic somatic awareness thereby helping the dancers gain more freedom of movement. Body alignment, weight distribution and activating deep-seated muscles were emphasized upon. And after all the heavy duty work, the dancers emerged more relaxed, more conscious…
Continue reading...It was that time of the year for my get away to teach dance outside Bangalore. My destination was to the classical dancers of Pariniti Kalakendra in Sagara. Sri Gopal Sagar (Director) and Sri Chinmayi (Dance critic) has been in conversation with me for a year and the dates finally materialized during our Republic day….
Continue reading...Unveiling the fourth edition of our in-house production “Prayog”. Now synonymous with experimental, innovative and bold choreographies, this year’s Prayog includes choreographies by Mayuri Upadhya, Madhuri Upadhya and Sathya B.G. The premiere has been tentatively scheduled on August 23, 2013 at Bangalore. So while we work on the deadlines, here’s a sneak peak on the…
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